the arranger of blue lou is quizlet

Louis Armstrong helped to create the style that would later be known as big band swing. The story of True Blue Lou Listen and get an earful, Joe While I remind you she was A dame in love with a guy She stuck to him But didn't know why Everyone blamed her Still they all named her True Blue Lou He gave her nothing She gave him all But when he had His back to the wall Who fought to save him Smiled and forgave him True Blue Lou He got . The band learned them by ear. He has collaborated with composers and arrangers including Dr. Kirby Shaw and Deke Sharon. It's the blue-and-white "Q" icon typically found on the home screen or in the app drawer. Spivak was a lead trumpeter, so it was assumed that he would play lead. Born Mary Elfrieda Scruggs in Atlanta in 1910, she was a hugely influential composer, arranger, and pianist. This date in 1910 marks the birth of Mary Lou Williams, a Black jazz composer, arranger, and pianist. all of the above. (*). Vocalist Billie Holiday modeled her phrasing after Louis Armstrong to develop a rhythmically free, blues inspired manner of singing a melody. - Hired the first ever full time black female singer. 4. Associate Professor Dr. Derek Katz to give lecture on life of Jazz Q. However, with so many instruments in a big band, collective improvisation would get very sonically crowded, and it would be difficult to make out everyone's distinct, improvised part. Which saxophonist had a "musical romance" with Billie Holiday, often appearing as her accompanist on her recordings? The Big Broadcast of 1938. From D.C., , Born in Chicago middle class. This preview shows page 30 - 33 out of 73 pages. All of these traits are correct. offered services to armed forces, Trombone, to whites, entre into ghetto These solos reveal that all of the featured musicians were excellent soloists, and when compared with the solos on the alternate takes, show that they were very comfortable improvising. (Q008) Bill Challis was the noted 1920s arranger for the band of Paul Whiteman. From Chicago, Armstrong went to New York where he joined Fletcher Henderson's band and helped to create the style later known as big band swing. A celebration of his life is scheduled for 11 a.m. Sunday, April 3, in the Shedd Concert Hall, 285 E. Broadway. The first style of jazz was Early New Orleans Jazz (also called Dixieland). Took elements of Louis Armstrong's playing style and adapted them for big band and thus helped to create the style swing. "Head arrangements" were simpler arrangements that were not written down. True. Composer, pianist and band leader. What bandleader presented an event in New York City in which symphonic jazz emerged? Reinhardt lost two fingers at a young age and despite his disfigurement became one of the best jazz guitarists to ever live. Led the best known band of the era. The disc includes 14 songs, three originals and classics by such artists as Wille Dixon, James Brown, Jimmy Reed, Eddie Floyd and others. Question 2 Blue Lou. No problems at all. Here are trumpeter/writer Richard Sudhalters thoughts about Berigans and Dunhams playing: Berigan charges in with a typically long-lined, shapely four-bar phrase. The correct answer is playing chords and scales not found in the home key of a piece. Morton loved breaks, and felt that they were an essential part of jazz. - Sought the guidance of Harlem Stride master Willie "The Lion" Smith - In the 1930s, jazz was called swing. - They were asked to play low key, resulting in the band to not be popular, last performance he went against producers word with "hot" pieces in the book, became an overnight sensation. electoral office of jamaica job vacancies, vivre sa retraite dans son pays d'origine, 2019 - Bckerei & Konditorei Ludwig GmbH -Screendesign und technische Umsetzung: - www.webagentur-elges.de. False. (*) The arrangement was also further revised in rehearsal (see below). Diese Website benutzt Cookies. Redman was hired by Henderson to play the clarinet and saxophone in the reeds section of the band. Bhutan's rulers had long tried to protect the nation's traditional Buddhist culture from outside influence with limits on tourist traffic and bans on satellite television receivers. Basie's hard driving rhythm section was an excellent launching pad for Young's melodic solos. Williams appeared in a number of talent shows and by . Start-up Hub; Incubation centre; Funding your idea; Maker space; Trading Lab. In 1923, Leon "Bix" Beiderbecke joined the band of white musicians that called themselves The Wolverines because they admired and often played Jelly Roll Morton's composition "Wolverine Blues". Question 7. The second promo video made for the song "True Blue Love" taken from Lou's second solo effort, the superb "Long Hard Look" back in 1989.Copyrights belong to". Which instrumental section featured in "Star Dust" is not typical to the big-band. Which bandleader's appearance at Carnegie Hall in 1938 helped to cement the respectability of jazz in America? The guitarist Tiny Grimes and the bassist Slam Stewart found popular success in a trio led by the. In 1943, Ellington wrote __________, a forty-eight-minute piece dubbed the "history of the American Negro," and performed it in concert at Carnegie Hall. : 454. That does not mean, of course, that Tommy Dorseys band was not playing the same arrangement. 20 seconds . In addition to referring to an era or style of music in jazz, swing is a rhythmic feel in which two subsequent 8th notes are played long-short. What bandleader's appearance at Carnegie Hall in 1938 helped cement the respectability of Jazz in America? Website. The correct answer is extroverted style, strong swing feel, more syncopation, blues influence, more solos. - Tuba made way for the string bass. Elaborate solo lines for an entire sections. He alternated passages of collective improvisation with breaks that featured solo improvisations. In the studio already were Arthur Rollini, Jack Teagarden, Charlie Spivak, Carmen Mastren, Mr. and Mrs. Hymie Shertzer, Benny Goodman, and Harry James. By 1942, she was among the most renowned arrangers in the business. Benny Goodman used his celebrity to help break down racial barriers in the music industry by performing with African American pianist Teddy Wilson in 1935. The rhythm section of the Benny Goodman small group excluded what instrument? His band was noted for its smooth but sophisticated performances of dance numbers such as, a flexible, unwritten arrangement created by the entire band "child's play", jazz arrangement rehearsed and memorized by musicians but not written down, clarinet The correct answer is Livery Stable Blues, which was one of pieces recorded by the Original Dixieland Jass Band in the first ever jazz recording. Because of the Harlem Renaissance, all nightclub and cabarets admitted black patrons. drawn. Also in the studio was George T. Simon, the editor of Metronome magazine (which sponsored the date), who in the previous two years had never missed an opportunity to report anything negative about Berigan and/or his orchestra, often without having obtained all of the facts. In New York, he cemented his reputation as the country's premier cornet player. The following sentences contain pronouns the arranger of blue lou is quizlet - ajmanagementllc.com Then, explain your response. The liner notes for RCA Bluebird LP 7636-1-RB (1988), entitled The Metronome All-Star Bands, indicates that Leonard Joy supervised this session. This movement produced some of America's greatest writers, artists, playwrights and composers, all of whom believed that African Americans were at the forefront of America's cultural life. https://www.youtube.com/watch?v=9xZl6yhCvMsAdapted from a part of Pyotr Tchaikovsky's Romeo and Juliet by Larry Clinton, Buddy Bernier and Bob Emmerich; arranged by https://www.youtube.com/watch?v=A4td1lhKjOYComposed by J. Russell Robinson and Bill Livingston; arranged by Fletcher Henderson.Recorded by Benny Goodman and His Orchestra for Victor https://www.youtube.com/watch?v=TnEfg6B1QM8"The Buzzard"Head arrangement by Bud Freeman, based on "Basin Street Blues. "Head arrangements" were written big band arrangements that only called for the playing of the melody of the song but did not feature improvisation. The correct answer is James P. Johnson, the first in a lineage of jazz pianists that would include other great pianists like Fats Waller, Art Tatum and Duke Ellington, who played in or were influenced by the stride style. ; ; . Review the vocabulary words on page 136136136. Study the entries and answer the questions that follow. The song Blue Lou was written by Irving Mills and Edgar Sampson and was first recorded and released by Benny Carter and His Orchestra in 1933. MetronomeAll-Star Band: Bunny Berigan, Harry James, Charlie Spivak, Sonny Dunham, trumpets; Tommy Dorsey and Jack Teagarden, trombones; Hymie Shertzer, lead alto saxophone; Arthur Rollini and Eddie Miller, tenor saxophones; Benny Goodman, alto saxophone and clarinet; Bob Zurke, piano; Carmen Mastren, guitar; Bob Haggart, bass; Ray Bauduc, drums. Which of these details best supports the idea that Molly Lou Melon is fearless? But despite the almost nonstop lambastings Simon had given Berigan in the pages of Metronome, enough of that publications readers thought enough of Bunny Berigans playing to vote him into the 1939 Metronome All-Star band. Select the feature that Duke Ellington is explicitly known for as an arranger? In a movement filled with larger-than-life figures, civil rights leader Fannie Lou Hamer stood out for reflecting the everyday experiences of African Americans in the South. pronouns are used incorrectly, write them correctly in the blank. What brilliant stride virtuoso was once introduced by Fats Waller with the phrase, "Ladies and gentlemen, I play piano, but God is in the house tonight! Early New Orleans Jazz featured collective improvisation, which is when all the members of the front line improvise simultaneously. CH 05 LISTENING QUIZ- ARC Fa19 MUFHL 315 LEC 12314 Lapierre.pdf Well, I held her close and kissed her, Then, I looked in those big green eyes, She said, A hey boy, do you love me? Write the correct word in the space next to each definition. The saxophone section towards the beginning of this excerpt of "King Porter Stomp" plays, The texture of this excerpt from "Star Dust" is, The style of this performance of "King Porter Stomp" is. Often cited as jazz's greatest vocalist, this singer had a thin, edgy timbre, and worked within a range of no more than an octave and a half. [i], Bunny had every reason to be apprehensive about this date. Cheerleading, backflipping ump talk of Minnesota youth softball - KARE dropped out of yale Blue Lou-- Session: Benny Carter June 11 1957. True. 30 seconds. In our current day, a big band usually has five (5) reeds, four (4) trombones, four to five (4-5) trumpets and a rhythm section. by. (1915-1959) - famous Jazz singer, recorded with some of best jazz musicians, one of first black singers to break colour barrier, Big Band, Singer, Vertical Singer

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